(Source: aaronjolras)
(Source: mcinedibles)
(via rannells)
Spring Awakening
Spring Awakening AU || 1920s Prohibition era
During Prohibition, Baltimore was one of the wettest cities in the country. And the most powerful family in the city was the Gabors, who controlled everything from local government and transportation to the largest bars and restaurants. But the prodigal son, Melchior, didn’t want anything to do with his family’s enterprises. He wanted a life of his own and, when he met Wendla Bergmann — the daughter of a good, old-money family who yearned for excitement — they found the promise of a bold, fresh start in each other, if they could get away. Caught up in the struggle between Melchior and his parents was his best friend Moritz Stiefel, a talented musician, and his singing partner Ilse Neumann, both of whom performed nightly in the Gabors’ most popular restaurant. Meanwhile, Hanschen Rilow, a manipulative bootlegger who wanted to sell his whiskey in the Gabors’ restaurants, was getting close to shy waiter Ernst Robel to gain an ‘in’ with the family. What he didn’t expect was to fall for the young man and get them both into hot water with the Gabors for their affections. All of them couldn’t make it out of the city alive…
30 day spring awakening challenge
↳ day 10: 2nd favorite scene: hayloft
Well, you’ll have to excuse me
I know it’s so off
I love when you do stuff that’s so rude and so wrong
"Though you know there’s so much more to find. Another dream, another love you’ll hold."
— Moritz, Those You’ve Known, Spring Awakening (via spock1013)
(Source: theperkofbeingwallflowers)
(via richarrdayoade)
"The question is: Shame. What is its origin? And why are we hounded by its miserable shadow? Does the mare feel shame as she couples with a stallion? Are they deaf to everything their loins are telling them, until we grant them a marriage certificate? I think not. To my mind, Shame is nothing but a product of education."
—
Melchior Gabor
Spring Awakening
(via fewdaysdown)
"Wendla asks Melchior to beat her in order to set something off in her, and when he does, he sets something off in himself. Until this moment in the play, Melchior has let his mind completely control every move he makes. In doing what Wendla begs him to do, he, for the first time, “listens to the word of his body,” and is shocked and mortified at how it leads to such a violent act."
— Jonathan Groff; Spring Awakening: In the Flesh (via springawakeninglove)
(via springawakeninglove)
